I am working late and waiting for the lift to take me to the top floor to get coffee and chocolate, my diet of choice when I'm knackered and in need of a caffeine/sugar rush to get me through the final hours of a press day.
The lift arrives and I press the button for the top floor. As the lift doors start to close what can only be described as a twattery of marketing types and fashion girlies enter. They then repeatedly start ramming the button to take the lift to the ground floor. Bear in mind I've already pressed the button to go the top floor and it is already lit. This is a sign to all lift users of where the lift intends to go. Even stupid people know this.
The doors then close and the lift begins its ascent to various moans of 'Why's it going up?' or 'I thought you pressed the ground floor button?'
There is debate and astonishment and anger towards the original button-presser. I am annoyed and think bad thoughts, then as I exit the lift I hear it go silent.
I then realise that the phrase 'Brain-dead cunts...' that I thought I'd only uttered in my head had actually escaped from my mouth.
I ponder for a moment. What to do? I may have offended people. And that's bad. But then I figured 'Fuck 'em. They deserve to know the truth. Perhaps if more people had actually told them the truth about themselves and their idiot opinions they'd be better and nicer people. I'm actually doing a form of community service by finally giving them a clearer picture of themselves.'
So I smiled to myself and headed for coffee and chocolate, the friend of the profanity-uttering chief sub on press day. My good deed for the day was done and I'd helped make the world a better place. Hurray for me. Probably...
Wednesday, June 27, 2012
Sunday, June 24, 2012
Theatre Thoughts: Part II...
The show finished so I spent a day clearing out my office and making space for new ideas and projects.
This used to be a ritual at the end of any project many years ago and it's amazing how quickly I reverted to this long-forgotten habit. Of course, this particular show is not over: we have reports to file for our funders; hold a debrief meeting to discuss both the process and what we learnt; and hold another debrief meeting about the production and how we improve it before touring next year.
But I'm fired again and wanting to start work on the comedy play I'm now convinced will finally 'break' me and the more serious project I have lined up for later next year, which may well 'break' me in a different way as the research is quite morbid and involving.
I also have other decisions to make about what I do next year because if I'm committing to new productions then I'm going to have to lose something from my schedule to create the time.
But whatever gives the theatre work has to be sustainable. It's no longer enough to just do good work; it now has to pay or have at least the prospect of paid work as an end result. But having that goal to aim for and making that happen will make the commitment worth it. I'm genuinely excited by the possibilities again. And that's a good thing.
And my guiding thinking on this new road will be a quote by Miyamoto Musashi:
'Do nothing which is of no use.'
Or... if it doesn't serve your purpose or advance your goal then forget it.
It will be interesting to see if I can be that single-minded about this personal plan and bring the focus I bring to helping everyone else to my own work.
This used to be a ritual at the end of any project many years ago and it's amazing how quickly I reverted to this long-forgotten habit. Of course, this particular show is not over: we have reports to file for our funders; hold a debrief meeting to discuss both the process and what we learnt; and hold another debrief meeting about the production and how we improve it before touring next year.
But I'm fired again and wanting to start work on the comedy play I'm now convinced will finally 'break' me and the more serious project I have lined up for later next year, which may well 'break' me in a different way as the research is quite morbid and involving.
I also have other decisions to make about what I do next year because if I'm committing to new productions then I'm going to have to lose something from my schedule to create the time.
But whatever gives the theatre work has to be sustainable. It's no longer enough to just do good work; it now has to pay or have at least the prospect of paid work as an end result. But having that goal to aim for and making that happen will make the commitment worth it. I'm genuinely excited by the possibilities again. And that's a good thing.
And my guiding thinking on this new road will be a quote by Miyamoto Musashi:
'Do nothing which is of no use.'
Or... if it doesn't serve your purpose or advance your goal then forget it.
It will be interesting to see if I can be that single-minded about this personal plan and bring the focus I bring to helping everyone else to my own work.
Friday, June 22, 2012
Theatre Thoughts: Part I...
Tonight is the final performance of Consider This, the play I've been project managing for the past nine months.
The play is inspired by the work of The Forgiveness Project (TFP), a wonderful charity started by Marina Cantacuzino that collects stories from both victims and perpetrators of crime who talk about how they've moved on from their pasts by forgiving other people, forgiving themselves or being forgiven by others.
The play is essentially the story of a stranger on the run from his past who runs into a fabulous storyteller. Their meeting reveals bits about them both coming to terms with their pasts and intercut into this dialogue are read-out stories from TFP, filmed interviews, original music and songs. It's a real multi-media event.
And, a few bits that need tightening up aside, it works as an engaging and entertaining piece of theatre, too. I'm genuinely proud to have helped make this happen.
The play is my first involvement with a theatre company for a decade and working exclusively on the production, fundraising and press side has been hard work; it's been a bit frustrating sometimes, too, but that's mainly because I'm learning to work with people I'm not used to working with and they're suddenly having to learn to work with somebody they barely know. It's probably been a bit frustrating for them at times, too.
But overall I've found it a hugely positive and empowering experience. The theatre company are good people who do good work and they've welcomed me in, which has been quite touching. It's also reassured me that I can do this again and as much as I can do all the production and logistical and fundraising and budget stuff, I do also want to do the creative stuff again. And not just the writing but the directing, too.
So watch this space... that whole side of my life is up and running again. Only, what's different this time? Well... this time I won't let anyone else dictate the terms of my failure but me.
And the goal will be artistically credible work married to commercial success. And it will happen.
Friday, June 15, 2012
Hair Today...
My attempts to grow my hair long and have actually hair rather than a No.1 buzz cut are foundering.
For a start I have no idea what to do with long hair as it's been a decade and a half of not having any. Quite simply I don't know how to style it, what style looks good or what to use to keep that style going. It's like I missed the memo or wasn't listening in that bit of the male grooming class.
I was so desperate not to be beaten by the long hair issue and head for the nearest barber that earlier in the week I even started looking up hair styles for men with glasses on Google. And it's clear I am no Emo (they have big fringes, apparently) and I'm probably not Johnny Depp so I'm a bit knackered really.
I'm actually turning into a bit of a girl over this issue and I may just think 'Sod it. A skinhead is who I am!' But without the racism, right-wing politics and penchant for violence. Obviously.
On the plus side I did make a work colleague laugh yesterday by suggesting the glamour model and keen equestrian Jordan mutilates horses in her spare time.
So that was good.
For a start I have no idea what to do with long hair as it's been a decade and a half of not having any. Quite simply I don't know how to style it, what style looks good or what to use to keep that style going. It's like I missed the memo or wasn't listening in that bit of the male grooming class.
I was so desperate not to be beaten by the long hair issue and head for the nearest barber that earlier in the week I even started looking up hair styles for men with glasses on Google. And it's clear I am no Emo (they have big fringes, apparently) and I'm probably not Johnny Depp so I'm a bit knackered really.
I'm actually turning into a bit of a girl over this issue and I may just think 'Sod it. A skinhead is who I am!' But without the racism, right-wing politics and penchant for violence. Obviously.
On the plus side I did make a work colleague laugh yesterday by suggesting the glamour model and keen equestrian Jordan mutilates horses in her spare time.
So that was good.
Monday, June 11, 2012
Great Sights Of Our Time: Part 1...
I was up and about early on Saturday morning to walk into Guildford to drop some publicity off for the play I'm producing.
I was walking over a railway bridge and over the bridge came a bloke who weighed at least 20 stone riding a mobility scooter while smoking a fag.
I still don't know where to start on deconstructing that particular picture.
I was walking over a railway bridge and over the bridge came a bloke who weighed at least 20 stone riding a mobility scooter while smoking a fag.
I still don't know where to start on deconstructing that particular picture.
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