I went to the National Theatre with the Missus to see Misterman this week. And it was stunning.
It's a one-man play written by Irish writer Enda Walsh and it stars Cillian Murphy of 28 Days Later fame as fierce evangelist Thomas Magill and various other characters. The play follows Magill over the course of several days as he goes about the business of saving the souls of folk in his home town of Innishfree.
What starts off as funny and quaint gradually descends into horror and tragedy as Magill realises everybody is way past redemption and his grip on the fine lines between fantasy and reality becomes rapidly blurred; think an extended episode of Father Ted written by a Samuel Beckett possessed by the Marquis de Sade and Stephen King and you're sort of there.
The writing felt like it could have been a bit tighter in places but overall the script was pretty brilliant and Walsh more than made up for this by directing and staging the show in one of the most inventive ways I've seen in a long time.
The star of the show, however, was Murphy. I am under no illusion that the Missus would have me dumped and divorced faster than shit goes through a goose if he ever turned up in our bedroom, so I realised in another world I could be watching a potential love rival. But even I was won over. To quote one of my friends who saw the show: 'So that's what real acting is!'
As a writer it's good to see productions that raise the bar. It makes you want to up your own game. And this was one such production.
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