Goodbye
Saga Noren. I am a huge fan and I hope we meet again. But, if not, thanks to
you and your police colleagues for keeping me entertained, enthralled and
thrilled for three seasons. Even better, for a show whose central characters
teeter on the brink of personal disaster and terrible tragedy virtually every
week, we even had a sort of happy ending. This, of course, could just be a
happy ending and that's it... or it could be the springboard for a possible
fourth season. Here’s hoping!
The
Bridge is Noridc Noir, a generic description for the spate of superb
thrillers such as The Killing and Borgen that came out of Denmark and won
deserved worldwide acclaim. The Bridge is a Swedish and Danish co-production and, like
the excellent The Killing, it's essentially a superior and intelligent police thriller that operates at its own pace and doesn't feel the need to explain every single thing or pander to its audience.
The
opening two series followed the chalk-and-cheese relationship between
strait-laced, OCD-suffering and high-functioning autistic Swedish detective Saga Noren, played
by the astonishingly brilliant Sofia Helin, and her Danish detective
counterpart, the flawed Martin Rohde (Kim Bodnia).
The
third season sees Saga work alongside a new partner, haunted drug-user Henrik Sabroe, played by Thure Lindhardt, as they hunt a serial killer who's targeting victims connected to a multi-millionaire
and using his art collection for inspiration when committing the murders.
We
also gradually meet the supporting cast of characters. Many of these, such as
Saga's boss, Hans Petterson, and IT expert John Lundqvist, we've met
before, but others, such as millionaire Freddie Holst and Saga's
mother, Marie-Louise Norén, are new.
I
could wax lyrical about how the complex plot perfectly hangs together, or how the
intrigue is consistently and tautly maintained, or how brilliant the scriptwriting is, or how excellent
the whole cast are, or how the black humour is pointed and beautiful, or how the third season is every bit as good as the first.. But I’d probably end up boring myself and anyone else who chances on this and reads
this.
Instead,
give it a whirl. It’s ten one-hour-long episodes and it’s probably the
best thing you’ll see on TV this year. I genuinely haven’t seen better. It has no weak points.
A word of warning, though. The only problem with watching something as good as The Bridge is that it may raise the bar too high for pretty much anything
you watch again ever.
It is that good.
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